Sunday, October 9, 2016

A new, versatile addition to the workshop, and another project

© Joshua Stark 2016

After finishing the duck straps, I used some recent archery class earnings (I teach archery, if you are interested in learning) to purchase a 10 in. bench-top drill press.  It isn't a super-expensive model (it's from Harbor Freight), which means I will be using it for other purposes, as well.

Yes, it can drill holes in wood and metal with it -- but I also stumbled upon a great other purpose, one that serves my leather work:  You can use it as a leather press for rivets and punching holes.

For years now, I've been working at a workbench in the living room.  It's a cheap Ikea dining room table, and it doesn't have the sturdiness needed to pound in rivets, snaps, eyelets, grommets, etc.  When I need to set those, or punch holes, I've had to take out a sturdy footstool (confession: it's also from Ikea) and a marble slab, bend way down and hammer away.

I'd been looking at a nice press tool at Tandy Leather, but I'd been turned off by the price ($155!) for something I can do with a rubber mallet, even if I have to take a few more steps.

Then I thought, why not look for another kind of press?  After all, the Tandy press is just a handle and a place to hold dies.  Well, lo and behold, a small arbor press can be quickly modified to hold the dies and tools used for making impressions and holes in leather... which led me to thinking, why not just use a drill press while it isn't moving?

So I Googled it.

Yep.  Here's a great little video with a couple of good tricks for quickly modifying your drill press to set rivets, grommets, etc.  It's not mine, and I don't know the guy, but it's a good video (except for the part where he says, "Who's your daddy?"... that's kinda weird.)

I tried it, and was able to punch a hole in no time, with no modifications, and set a rapid-style rivet.  It works great!

Okay, so back to another project -- this one a sheath for my cousin.  I've only made one other sheath, and this one has an odd handle.  Here are a couple of pics:

Here's the leather, cased, before staining and stitching.
Stitched and stained (with a saddle-tan antique).  All that remains is putting on a keeper, and a copper rivet into the top left corner (maybe).
It's been a fun project, another boost to what had been my flagging confidence.  Even my mistakes (hammering it dry, and cracking the leather a tiny bit) have helped build my confidence.

Saturday, October 8, 2016

Back on the (stitching) horse...

© Joshua Stark 2016. 

Well, I had to work through another few months' worth of fits and despair, a general lack of confidence, and an honest-to-goodness artist's block (though I strain credulity with the use of the word, "artist").  However, I have finally finished an extremely overdue leather order -- three California duck straps.

Confidence is a real problem for me, and it is compounded by the fact that when you finally make your measurements and trace out your templates, there comes a time when you actually have to cut very expensive material.  A good side of leather can cost $200, and though it isn't as bad as I make it sound (I mean, I can cut, make a mistake, and cut another part, due to its size), it is still a pretty steep climb.

These duck straps were ordered by a good friend of the family, going back decades.  He's one of those guys you admire from afar: an amazing outdoorsman, great dad, and a man who hunts out-of-state with a group (these folks go to Colorado each year).

Here are some pictures of the process...

I've picked out the spot on the leather, traced the template, and began cutting with the head knife.

Here is the process for cutting out a strap end with a strap-end punch.  I've got here a rubber mallet, a strap-end punch, a block of marble, and a cutting board of some kind.  Notice that the strap has been cut at the end to the dimensions of the punch.
I'm setting up the punch.  I'll hold the punch, and hammer on it a few times while rotating it a bit on its edge.

And here's the final result. 

Three straps in slightly different stages, after stamping.  The top one is stained, the middle one is "cased" (fancy leather term for "wetted with water"), and the bottom one is natural (before being stained).
Cutting three straps from about 6 oz. leather.  Since I made three California duck straps, I cut 21 individual 1/2 in. straps, 14 in. in length (to leave room for folding over and riveting the strap ends).
To make the folding and riveting flush, I skived the ends of each of the straps.  I use a safety skiver, and hope that one day they'll make a left-handed version.
Here they are.  The top one was stained with "saddle tan", the bottom two with medium brown.

I was overwhelmed, in part, by the repetition.  I had 21 straps to build, dye, seal, then 42 skive cuts, and 42 rivets to place.  The great part is that, once I started, I realized that this repetition was just what I needed!  I got into a rhythm, and worked to improve my technique.  I also, I believe, have become more confident.

Now, it's onto a knife sheath, followed by a very nice Ranger-style belt for an Angolan friend.  I'm worried about the last one, because I want it to be just about perfect, and hand-cutting billets to look symmetrical is quite a challenge.  But working on these duck straps have put a measure of confidence in me I haven't had in a long time.

Sorry for the gory details.  Here's a pic. of my cousin after a successful day afield, using a strap I made for him last year.  He's my pro staff, I suppose.

Tuesday, September 13, 2016

A Grouse in the Hand? Opening day in the California Uplands, 2016

©2016 Joshua Stark

One of California's many uplands habitats -- sub-alpine and alpine country
("upland" in California goes from below sea level for gambels quail, doves and snipe, to 7,000+feet after grouse, chukars and mountain quail)

For three years, I've actively hunted grouse in my old deer hunting grounds on public lands in California, and have been skunked -- and often humiliated -- by these wily birds.  My reputation as a nimrod isn't helped by the fact that these birds are often seen trying to figure out what the chicken's motives were, obviously lost in thought and oblivious to their surroundings.

Not my experience, mind you, but I'd been told on a number of occasions that "a big, grey chicken had just crossed the road about a half-mile back"...

My first encounter with grouse occurred while hunting with that Hog Blog fellow, Phillip Loughlin, who had invited me on an archery pig hunt in the Coast Range of Northern California.  It was a traditional introduction to an upland game bird:  about a half-hour before sunrise, quietly walking through the deep dark, contemplating having to sneak within 30 yards of a herd of animals about my size and with razor-sharp tusks, a pair of grouse exploded from a branch at hip-level about three feet from me, leaving me a trembling mess.  
Not one to hunt out of vengeance (it's funny to consider, but seriously messed-up if you think about it for more than ten seconds), I didn't consider heading out after them at that point.

My second encounter was just a sound, while out fishing the East Fork of the Carson River.  A deep, low, slow drumming sound from the top of a hill. That was all.  
I had never heard it before, but I knew immediately what it was.  It was powerful.  It was a bird.  And it awakened something inside of me, as wild encounters do when you happen to, sometimes accidentally, even, be open in your heart to hearing them.

But my third encounter with these grand birds of the uplands sent me on a familiar spiral, hunting after them with gun and dog.
Ever since I bought my 20 gauge side-by-side, I had taken to putting a slug in one barrel and a load of steel No. 6's in the other during deer season.  I had fallen hard for hunting mountain quail and every time I hit our public lands above 5,500 feet or so, I'd run across coveys... while never finding a deer with antlers sticking out of its head.
On one such occasion, I had traveled up to a spot I'd known held mountain quail, and started in.  About a quarter mile down-hill, on the edge of a clearing, I saw what I first  thought was a GIGANTIC quail... it took a few seconds for me to realize that it wasn't a quail, it wasn't a turkey, and it surely wasn't a chicken.  It was a sooty grouse.

Having never hunted grouse, I hadn't checked the regulations to know if they were in season.  I chuckled to myself at the notion that I'd missed out on a big, tasty bird, but I also felt really blessed.  After all, I'd never seen one like this, in the wild, just poking around.  It slowly walked past a dead log, and into a stand of small pines.

I arrived back at the car just in time to catch a game warden drive up.  I cracked open my gun, smiled as I walked up to him, and talked a bit.  I mentioned the grouse.

"Did you get him?"

Sheepishly, "Uhmm, no... I didn't know they were in season, and I wasn't going to take a chance."

"Yeah, you still have two more weeks on 'em.  Head back down there, they'll stick around the same spot.  They're kinda dumb."

Apparently, not as dumb as some others.  I traipsed back down the hill, a bit wary of the advice, but who am I to disobey armed law enforcement in the middle of nowhere?

Sure enough -- and just like that famous scene from The Matrix, that bird was in the same, danged spot!  I raised my gun with just a bit too much enthusiasm -- frankly, flabbergasted at the exactness of the advice (it was eerie).  The bird bolted into the stand of pines, and hit the jets in full cover.  He was gone.

I left feeling as if I were being filmed for Candid Camera by the Department of Fish & Game. 
Come to find out, grouse are masters at popping out right when they have the best chance of getting away... to such an extent that I have come to believe they have some form of instinctive telepathy.
Over and over, it was a similar story: me, walked to exhaustion, climbing madly after mountain quail, taking a breather and suddenly thinking, "hey, this kinda looks like grouse cover", and BAM! A bird launches out with force to scare the crap out of me, staying just behind cover.  I even started bringing my dog with me, an exceptionally birdy rescue field spaniel named Rocio, who would get birdy and bust birds. 

But I learned little lessons from each failure.  For three seasons, I'd get up only once or twice into spots I'd found the birds, and each time, I wouldn't be disappointed. With seeing them, that is; I still hadn't actually taken a bird.

Until last week.

Last week, it all seemed to come together: a good bird dog, a mountain quail already in the bag, and a familiar spot where I'd seen birds earlier in the year.  For once, I had confidence.

The first grouse blew out of cover, and gave me about a half-second... no shot.  I immediately yelled inside my head: there goes the only bird you'll see today!  But I shut me up... and thought... what if there were more than one bird?  I kept a brisk pace.  I reminded myself, "hunt the dog", and she was birdy, breaking right and left in front of me like a good spaniel (can you believe it?). She broke left, uphill, into brush.

From behind the tree at the back end of the brush, about fifteen yards from me, an explosion of grey feathers. Again, just a second between the trees, but I was ready.  At the end of the day, I'd taken two quail, and my first grouse.

Here is one happy bird dog, along with two Oreortyx picta (mountain quail) and one Dendragapus fuliginosus (sooty grouse).  Also, tools of the trade: one 20 gauge side-by-side shotgun, with a 20 gauge shell and a 28 gauge insert for one of the barrels.  Please note that those are not burrs on my dog, they are a really sticky seed that gets brushed out pretty easily.

Saturday, February 13, 2016

How to be cool...?

 © 2016 Joshua Stark

I'm going to need some help from cool people.  You see, I may have just discovered that I am, in fact, cool.  Hip.  With it.

I am a hep cat. And I don't know what to do with it.

Two recent experiences took place to lead me to this inevitable conclusion, and now I am at a loss as to what, exactly, I am supposed to do with this power.

The first experience involved a gigantic bicycle, Amtrak, a West German Army surplus jacket, and the city of Oakland (see?  Even that sentence is just so dripping with cool).
A couple of months ago, I had to get to my organization's headquarters in downtown Oakland for a strategy session for 2016.  Since we are a nonprofit focusing on sustainable and equitable transportation, I'm encouraged to take the train, and this time I thought I'd take my new cargo bike and ride the last two miles.

In typical fashion (for me), my humongous bicycle didn't quite fit, but I forced it.  I got an evil stare from a conductor as I worked at it, but she let me on.  Of course, I spent the trip wondering how I could possibly get home if they didn't let me on the return ride, but I was in it for the long haul.
The cargo bike, in its natural defensive posture

Once I got off the train, I hopped on my bike.  Mind you, when I say my bike is humongous, I mean it.  It's a cargo bike, a Yuba Mundo to be precise, over seven feet long and 50+lbs.; built to haul up to 440 lbs. plus the rider.  I have dreams of hauling out decoys to a local marsh with this beast, but I mostly use it to haul the kids to and from school, and then bike to work.  Bonus: it's bright orange.

It being a chilly day (in the mid-40's), I donned my weather jacket -- a drab green, 25+ year old West German Army surplus jacket that has made it through the years looking really good.  It's one of those coats that is pretty heavy, but when you put it on, you feel like you are wearing a sleeping bag, and the weight distributes perfectly. 

So here I was, pedaling through Oakland -- a city with blocks spontaneously gentrifying in such short order that they should have ribbon-cutting ceremonies or dry ice and light shows -- on a cargo bike, with a four day-old beard (if I shave regularly, I look like I've been attacked by wasps), wearing a German Army surplus coat.

I wanted to yell, "I'm not a hipster!  I'm not paying $2300 a month to live here in a flat above my micro-brewery!  I promise I'm not delivering crates of kombucha!"  I wanted people to know that I was a small-town California Okie, raised in a little Chinatown; that I went to community college in Stockton, where I'd bought this actual coat over twenty years ago at an honest-to-God army surplus store...

I felt helpless.

The second experience took place outside my local library, as I passed the time waiting for my daughter's dance class, and it came with a horrible epiphany concerning the extent of my hip-ness.

I was sitting there, and one of those Facebook memes popped into my head.  You know the one about how "you" may be cool, but you'll never be as cool as blah blah blah?  Well, I chuckled to myself as I wrote out my own version.  It started out innocently enough:

"You may be cool, but you'll never be sitting in your Prius, waiting for your daughter's urban jazz class to finish..." I chuckled; some people do realize that it is pretty cool... "hand stitching a man-purse for..." flashes of fully-bearded, wavy-haired hipst-hipst- "... your Vogue-published writer-friend."

At that instant, I knew that there were entire communities who thought that was cool.

Damned cool.

Images of me, bowhunting with my recurve, hunting with my cheapie double-gun and a rescue spaniel.  Pokepoling for pricklebacks. Tying flies from birds I'd shot.  Videotaping a "how-to" on acorn processing.  Working for an environmental nonprofit.

Raising ducks.

Teaching archery.

Knowing what, "pokepoling for pricklebacks" means.

Making nocino and walnut ketchup.

Hand-carving leather arm guards.

I heard the voice of Sewer Urchin, a super-hero from one of my all-time favorite cartoons, echo in my head:  "Down here, I'm the apotheosis of cool!"


Now, I know I'm not cool.  In my heart, I'm not cool; by my age, I cannot be cool (because I'm not a musician).  I've never minded coolness, or being cool -- shoot, I've seen some really cool cats in my time, and I've never begrudged them their cool.  But, I've never envied it, either.

All I've ever done, in all honesty, has been without a care about looking cool. (my continued willingness to go hunting with other people, despite my track record, attests to this fact).  I've not tried to be cool or uncool or different.  I've just liked what I've liked and haven't thought much about it.

Part of this probably has to do with being painfully shy as a kid, and growing up in a small California town.  Since I only interacted with a couple of people, and they sure didn't represent any one clique (you get who you get in a small town), I just pretty much kept to myself, developed my own interests, and had the blessing of a very diverse group of friends and family.

But, lately, I'm getting the sense that people have been following me around, and taken up what I've done for years as a goofy guy, as a set of cool things to do. 

If this is true, here are some other things you can expect to be cool pretty soon:

-Pulling an abdominal muscle as a result of the extra exertions of the flu will be all the rage really soon;

-Stock up on Buffalo Bills merchandise, because it'll be flying off the shelves in no time;

-According to my wife, it'll be a hit to let the recycling pile up in the kitchen, rather than taking it out;

-So will waiting six months to fix the running toilet;

But back to my original question: for all my cool friends out there -- what should I do with this power?  What can one do with coolness?  MallardSBW? Phillip? Chanell? Hank?

Not ever having had it before, I don't know where to start.

Oh, and I have an Etsy Shop. (Facepalm):

Thursday, December 24, 2015

Merry Christmas, y'all -- from a man who worships a refugee

Just a quick note, a Merry Christmas to all.  We at the Stark House have been giddy, preparing for Santa's arrival, and watching presents pile up under the tree (which, by the way, seemed to have a three-foot thick trunk, quite unusual for a seven-foot tree... there was much trimming).

The weather turned cold today in California, dropping from the mid-fifties yesterday into the low forties today, and feet of snow are piling up on the Sierra Nevada.  A great Christmas miracle, if you ask me.

Tomorrow is the day we celebrate the birth of our Savior, and I am reminded that we are blessed to live where we do, and to have what we have.  As a Christian, I know it isn't because of my hard work that we are blessed, and I do not believe it is karma.  I believe that the sun rises on the evil and the good; and the rain comes down on the righteous and the unrighteous (Matt.5:45).

I am also reminded that His family were forced to run, in fear for their lives.  They were hunted in their homeland, and had to go into exile as refugees into Egypt.

Nor did Joseph take up arms to defend his home.  I've seen some call those men who get their families or themselves out of war zones cowards for leaving war.  I can never make such a sweeping claim with confidence, because I don't know each person's situation, and I know that, before anything else, each one is unique.

As a Christian, I must admit that none of us knows perfectly of God's will. I know for sure that I am a sinner, that I fall short of the Perfect Good, of Love, constantly.  Like C.S. Lewis points out, we can be sure that we know good, and that we don't do it.

But I worship a God who became a man, and who, as a child, had to flee with his family as refugees.  I worship a God who commands me to make a place for all, even those who worship differently than I do.  I worship a God who calls me to defend widows and orphans, to care for the poor, and the imprisoned, to give to any who ask of me.

Nowhere am I commanded to only do these things if I am not afraid.  In fact, I am told to fear not!  I am commanded to not cower, but to open up even to those who may do me harm.  Christianity makes no room for cowardice to determine our actions. 

I almost never meet these requirements, but I cannot for a second pretend that they don't exist.

So Merry Christmas from our family to yours.  Please take a moment to consider those who are forced to flee, and if you do, pray for them. 

"And if you greet only your own people, what are you doing more than others?  Do not even pagans do that?" Matthew 5:47.

Wednesday, October 7, 2015

Recent Leather Work

Well, I'm back, and trying again to get myself into a regular writing pattern.  For a while, I've been caught up in my day job (advocacy for a non-profit organization working on statewide and regional transportation and land use policy).  I've also been spending time making some leather goods -- belt pouches, possibles bags, knife sheaths and the like.

Here's a bit of what I've got:

Next test: deerskin gusset.
A belt pouch, also called a Rob Roy sporran or a purse for dudes when they wear skirts (kilts).  I'm happy with the way these are coming out.

This one is one I did with the Hunter Angler Gardener Cook logo for my friend, Holly Heyser.  I don't sell this design, it's Hank Shaw's; I just wanted to see if I could do the logo justice.

Something I added to this style are tassels, to be used as game straps for those lucky enough.

The dye job came out better than I'd hoped.  I use a leather dye that is, frankly, difficult to work with.  On top of it, I used an antique gel dye, and rubbed it off, to give it a darker tone.  Next, I applied a sheen, and last, Fiebing's Aussie leather conditioner.

It was hard to be asymmetrical with the ragged flap, but I'm happy with it.
Another one I worked on is this 18th Century-style possibles bag or fowling bag (or, purse for dudes who wear leather pants... don't ask).

I really like this style!  It has D-rings stitched in parallel with the body of the bag, which means it sits flush against the hip, and it has the flap stitched in on the top, so it automatically closes itself.

This particular bag I made with the ragged edge of the leather, and I am happy with how it came out.

I've actually started selling bags and pouches, and arm guards for archery as Old Soul Leatherwork.

I also bought a fine little scian dubh (pronounced "skan doo"), or black knife, at the 150th Highland Games in Pleasanton earlier this year, and designed a knife sheath for it.

Afterward, I got the tooling bug ("tooling" is the name for the artwork in the leather), and made a sheath for my head knife (the knife I use in leather work).  I like quail, and, spurred by my Facebook friend Rebecca O'Connor, I designed two panels, one with a mountain quail (Oreortyx picta), and one with a valley quail (Callipepla californica).

My biggest obstacle in any artwork is confidence.  Finally, I got up the courage to start cutting on a $5 piece of leather.  Here's the first stage of the valley quail panel, with a Perthshire stone knotwork panel.  Head knife in the background.
Here's the valley quail panel complete (but before final stitching and trimming, of course), and the mountain quail in-process.
And here's the final product.  The knotwork panel tab was problematic: I didn't design in the ability to snap it shut without hurting the art on the panel.  Since I'm not taking it anywhere (it stays on the workbench), I'm leaving it as-is.
Leatherwork has been very personally rewarding to me lately, allowing me to express some pent-up art, but in a way that is useful.

(If you are interested in buying something leather, check out my Old Soul Leather Work).

Monday, May 18, 2015

Belt practice: Ranger-style belt

Last month, my online friend Tom asked me to try a new style: a ranger belt.  Ranger belts differ from "normal" belts in that billets are stitched onto the belt ends.

I bought some really nice English bridle leather, and also some decent belt leather straps from Tandy Leather, and decided to make myself a belt as a practice.  That was a good choice.

What I've learned:

Overall, belts can be very hard.  Trying to make a straight line for such a long strip can be challenging.  Being off by a fraction of a degree at the beginning can lead to an awkward end, and the size of your workspace and the length of your arms can be problematic.

Hand stitching a belt is time-consuming.  At this point, I'm definitely in it for the meditation, not the money (and I do actually enjoy it quite a bit).

Hand-stitching takes time to learn.  I'm trying to get a more solid pattern out of the saddle stitch, an angled look to it, and it takes a certain technique.

I always need to go just a little bit slower.

Here's my first creation, almost completed (I added a belt keeper):

Now, it's time to make Tom's belt.  The leather is nicer than the Tandy leather shown here, but really, I'm impressed with the Tandy straps, too.